Rich Mouser Records & Mixes Hits
Recently mixed Albums make a splash across the industry with Billboard Heatseeker #14 and London Prog Awards, Album of the Year
Rich Mouser is a triple threat. He’s a musician, producer, and engineer with a highly respected and growing list of legendary clients. He has played a pivotal role in helping a broad range of artists and bands realize their musical dreams with recent acknowledgement from fans and the industry in hit songs and top awards for albums. Mouser’s clients include Robert Trujillo (Metallica, Ozzy Osbourne), Chris Cornell, Dream Theater, Weezer; Chris Vrenna (Marilyn Manson, Nine Inch Nails, Tweaker), Joe Holmes (Ozzy Osbourne, David Lee Roth), Stanley Clarke and Tears for Fears. A musical master, Mouser provides every one of his clients with a keen ear, technical savvy, and sonic sensibilities needed to perfect their musical creations.
Read More »Todd Whitelock Captures Grammy Gold with ‘Atlantis’
‘Best Jazz Vocal Album’ Grammy goes to Cecile McLorin Salvant’s “For One to Love”
Engineer Todd Whitelock loves the Lauten Audio ‘Atlantis’ FC-387 microphone for recording vocals, it’s now his “go-to” female vocal mic. At Avatar Studios in New York last year he used the Atlantis to record vocals on the Grammy(r) Award-winning album “For One to Love” by Cecile McLorin Salvant which garnered the prestigious “Best Jazz Vocal Album” for 2016. The album category awards the Grammy to the Artist, Producer, and Engineer. The album was released on Mack Avenue Records. Whitelock has engineered albums for many of today’s most lauded artists including Josh Groban, Idina Menzel, Christian McBride, Brian Blade, Harry Connick Jr., Yo Yo Ma, as well as Chick Corea, Wynton Marsalis, and the Jazz at Lincoln Center Orchestra, to name just a select few.
Read More »Dangerous Music Delivers for Millions on Live TV Where There Is No Second Take
Live TV singing competition relies on detailed monitoring control from Dangerous Music Convert-2 DAC and Monitor ST, Engineer Toni Kern says “It’s great, I love it!”
When the pressures of a live TV show weigh in on the audio mix engineers responsible for adding stunning sound to make the pictures come alive for eager audiences, the right monitoring gear is essential, and it’s why Toni Kern, at The Voice of Germany, chose both the Dangerous Monitor ST monitor controller and recently added the new Dangerous Convert-2 DAC. “The Convert-2 is really easy to use, it sounds really great-and it sounds natural. And it’s definitely much more accurate than the setup we had before which was only analog monitoring. Now we listen to the exact same digital signal that we send to the live broadcast, and we are hearing it through the Convert-2. We feel very confident about what we are sending to the broadcasters because of this, and the mix is better because of it too.” The German show, similar to the popular US version, The Voice, has featured live performances by top artists such as Cold Play, Robin Schulz, Elle King, James Morrison, Ellie Goulding, and Jess Glynne.
Read More »David Kimmell Saved by Dangerous Music
Engineer gets ‘his sound’ and joy of mixing renewed with Dangerous D-Box analog summing and BAX EQ
Mixing bands live, especially through an analog console, can be a great pathway to mixing records. There’s an experience of immediacy in moving the faders and hearing what you expect. In-the-box all-digital mixing has placed some roadblocks in the way of that, but Dangerous Music puts the analog sound and feel back in the mixing equation with their ground breaking summing mixers. One person who got his mixing ‘joy back’ is engineer David Kimmell, who has been mixing audio since 1997, and for many years mixed bands live, among other touring gigs. After several years in his own studio trying to mix ‘in-the-box’ and not enjoying it, feeling that he was “fighting the mix constantly,” Kimmell added the Dangerous D-Box to his rig and everything changed.
Read More »Corrado Rustici Chooses Atlantis
Italian producer Corrado Rustici, together with engineer Michael Rosen, auditioned many top mics for recent sessions at Rosen’s ‘East Bay Recorders’, but chose Lauten Audio’s ‘Atlantis’ FC-387 for Italian pop singer Virginio’s vocals.
Rustici has a body of work that surpasses 70-million in album sales, and although he is most well-known in Italy with his work on music from mega-stars such as Zucchero and Andrea Bocelli, he has made California his home-base for many years and has worked with Bristish and US superstars such as Jeff Beck, Eric Clapton, Stevie Ray Vaughn, John Lee Hooker, and Stewart Copeland, to name a few. Most recently, during his production of new Italian breakout singer and songwriting star Virginio, Rustici booked the East Bay Recorders studio in Oakland and working with owner/engineer Michael Rosen recorded vocals for Virginio’s new album for Universal Music Italy. When evaluating microphones to best bring out Virginio’s pop-star voice, Rosen and Rustici auditioned a series of industry leading microphones as would any seasoned producer or engineer, after many models and trials they realized the best match was the ‘Atlantis’ FC-387— a mic originally designed especially for vocals.
Read More »Engineer Pete Doell Gets Dangerous
Mastering engineer Pate Doell relies on Dangerous gear to work his sonic magic at Universal Mastering Studios, combining the Dangerous MASTER, MQ and MONITOR in his setup
Mastering engineer Pete Doell counts Dangerous Music gear as a key to his success. The Dangerous MONITOR was an eye and ear opener that has made his job easier at Universal Mastering Studios, “I have to admit when I first got the Dangerous Monitor and heard the playback through the DAC, I thought, ‘Oh my god!’ it really made me hear things in a truer way, and I had to do less processing to get the right result,” said Doell. He added the Dangerous MASTER for integrating his outboard gear, and the Dangerous MQ for metering to round out his ‘mastering console’ setup – the centerpiece of his studio. Doell has mastered over 100 albums since joining Universal Mastering Studios, including R.E.M., Marilyn Manson, Toto, Dave Koz, Nat ‘King’ Cole and Sheryl Crow to name only a few. Many top engineers across the studio world revere Dangerous Music for the quality of its D-to-A converters, the company currently offers conversion in the D-BOX, SOURCE, and the recently released CONVERT-2 and CONVERT-8 products.
Read More »Chris Shepard Gets Dangerous at Lollapalooza
Paul McCartney and Metallica get the Dangerous treatment with the new 2-Bus+ audio processing from Chris Shepard mixing the live web stream for Springboard Productions and Red Bull TV
During the 2015 Lollapalooza festival, mix engineer Chris Shepard test drove one of the first Dangerous Music 2-Bus+ summing amps with Paul McCartney and Metallica in the American Mobile Studio truck. Shepard was anxious to hear the new integrated processing capabilities, especially the unique Paralimit, as well as the custom transformer control called ‘X-Former.’ “The 2-Bus+ is my new secret weapon,” says Shepard, owner of American Mobile, his company for over 20 years specializing in mobile music recording and live mixing for video streaming. Shepard and his American Mobile team mixed the live web stream of Lollapalooza for Springboard Productions and Red Bull TV.
Read More »Michael James Hits #1 with Dangerous
Using the Dangerous 2-Bus, BAX EQ, Compressor, Liaison, and Monitor ST, Michael James mixes a resilient #1 Radio Hit for Latin artist Kalimba
Edmeston, NY – August 19, 2015 – Mix engineer Michael James has a double number one hit for his mix of the song “Estrellas Rotas” from recording artist Kalimba’s latest record, Cena Para Desayunar (Sony Music). The record has ruled both Monitor Latino’s ‘Plays” and ‘Audience Reach’ charts for seven consecutive weeks so far. “This is a very special record for Kalimba, so I’m blessed to have been part of it,” says James. He mixed the hit record using a large collection of Dangerous Music gear. James’ mix career spans a host of musical artists including New Radicals, Hole, Far, L7, Robben Ford, Edwin McCain, Maia Sharp, A.J. Croce, Chicago, Jawbreaker, and Mario Guerrero, to name just a few.
Read More »Darrell Thorp: a Believer in Atlantis
Seven-time Grammy® winning Engineer and Mixer, Darrell Thorp, recently acquired a pair of Lauten Audio’s Multi-voicing™ microphones, the Atlantis FC-387.
Recently picking up multiple Grammy’s for his work on Beck’s, “Morning Phase,” Thorp has built a solid foundation in the music industry, further adding to that foundation with his Atlantis microphones. Thorp and Lauten Audio’s founder, Brian Loudenslager, recently became acquainted after exchanging social media praise for each other. “I friended Darrell on Facebook; upon him accepting my request, he posted on my page stating, “Love your mics!” I replied simply, “Love your ears,” says Loudenslager, adding, “Of course I had to inquire and get more specifics as I wasn’t aware Darrell was using our microphones”.
Read More »Engineer Reuven Amiel Gets Dangerous
Miami-Based Grammy-winning Mix Engineer Embraces the ‘Hybrid Studio’ with Dangerous Music 2-Bus summing, Monitor ST, BAX EQ and Dangerous Compressor
Reuven Amiel is a unique mix engineer who has come full circle from analog consoles and tape, to mixing only digitally in-the-box, to his studio today which combines the best of both worlds, a hybrid analog-digital setup, with a software DAW and plug-ins, analog summing, and integrated outboard gear. “If you are looking for flexibility, the Dangerous Music products give you freedom,” states Amiel unequivocally. “I don’t feel like a slave to a certain sound when I am mixing with Dangerous gear. I am not kidnapped by the sound of my summing or my compressor or my EQ. If I want color, I have the freedom to color the sounds in the way I want with other gear. That’s very important for me.” Amiel is working in his Miami, Florida-based studio with his ‘Hybrid’ setup featuring the Dangerous Music 2-Bus summing, Monitor ST monitoring and switching combined with the new Convert-2 DAC, the BAX EQ and the Dangerous Compressor.
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