Tag Archives: Focal

Focal Releases Two New “Alpha Evo” Monitors

New affordable Focal monitors offer 5-inch and 6.5-inch drivers

Focal Alpha EvoFocal has announced that it is shipping the new Alpha Evo monitors, Alpha 50 Evo, and Alpha 65 Evo. These replace the current Focal Alpha 50 and 65 models in that range, while the current Alpha 80 are still available. The two new Focal Alpha Evo products are available at retailers in the US and Canada on March 25, 2021, and have suggested retail prices of Alpha 50 Evo $349. USD each, and Alpha 65 Evo $449. USD each.

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Focal Releases “Clear Mg Professional” Headphones

New updated model of popular Focal headphone now uses magnesium cone for even greater dynamics

Clear-Mg-ProMontreal, Canada —  Focal has announced that it is shipping the new Focal Clear Mg Professional headphones (“Clear Magnesium Professional”), a new model of their popular Clear Professional headphones but with the addition of a magnesium (Mg) cone for even greater dynamics with a remarkable tonal balance across the full audio spectrum. The new product is available at retailers in the US and Canada on February 16, 2021, and has a suggested retail price of $1,490. USD.

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SPL Ships ‘Control One’ and ‘Marc One’ Monitor Controllers

SPL Marc OneSPL of Germany has shipped the “Control One” ($599.) and “Marc One” ($799.) monitor controllers from their new affordable “Series One” product line. The SPL line of products is distributed by Focal-Naim America in the US and Canada.

The SPL Control One is the ideal monitor controller for the modern studio. As a high-quality analog control center, it manages audio sources and monitor speakers including subwoofer. In addition, the device features an individually adjustable high-quality headphone amplifier with Phonitor Matrix. Thanks to the various monitoring modes, no sound detail remains undiscovered.

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SPL Announces New “Series One”

SPL Phonitor One dTrue to the motto “Number One In Sound”, SPL of Germany has developed a new product line that combines the sound of their big devices with a desktop-friendly design and an affordable price for the ambitious user. The Series One was equally developed for professional recording studios, home studios, musicians, music lovers, and media creatives of all kinds. The first two Series One devices, Phonitor One ($499.) and Phonitor One d ($699.) – both headphone amplifiers — are now shipping. More devices of the new Series One will be announced soon. The SPL line of products is distributed by Focal-Naim America in the US and Canada.

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Adam Young of “Owl City”

Adam Young of “Owl City” Mixes on Focal Monitors

New chart-topping artist chooses Focal Twin6 Be monitors on breakout album ‘Ocean Eyes’

Adam Young of "Owl City"

Adam Young of "Owl City" with Focal Twin 6

With a growing fan-base and a world tour that continues throughout 2010, Adam Young, the creative force behind the band “Owl City,” is taking off. His first independent release in 2008, ‘Maybe I’m Dreaming,’ received much praise and made Young into a phenomenon, with over 16 million profile views and over 80 million plays on MySpace, all stemming from posting a few songs from the year before.

That’s led to Owl City’s newest CD – ‘Ocean Eyes’ – released in 2009 by Universal Republic Records. The album has sold over 1 million copies in the U.S. alone, while the first single “Fireflies” hit #1 in 23 countries. During the making of the ‘Ocean Eyes’ album Young discovered Focal Twin6 Be monitors, then got himself a pair. “I absolutely love the Focals. I had mixed with other brands over the years, but it was always a bit deceiving. Other monitors seemed somewhat overly polished, bass heavy and even ‘clubby.’ The Focal Twin 6s are so transparent, but still easy to listen to and work with: they really help my mixes translate to anything I play them back on,” states Young.

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Mix Engineer Jeff Juliano

Mixer Jeff Juliano Chooses FOCAL Monitors

Twin 6 Be Powered Monitors with Sub6 are now his Main Measure of a Mix

Jeff Juliano

Mix engineer Jeff Juliano and Focal Twin 6

Mixer Jeff Juliano has used a lot of different speakers, and in the past 10 years he’s relied on the supposed ‘industry standard’ Yamaha NS10. But no more. Juliano recently tried the Focal Twin 6 Be powered monitors at his Delaware mixing studio and has now made them his number one choice. Having mixed a host of platinum-selling albums for artists such as Jason Mraz, Josh Kelly and Lifehouse, as well as John Mayer, who won a 2003 Grammy for his album “Room for Squares” which he mixed, Juliano has a great ear for sound, but was ready for the change.

“I’ve been going through so many speakers in my time mixing, I was an NS10 guy for so many years, and started to believe that was the only speaker in the world that mattered. The Focal Twin 6 Be monitors are the best that I’ve used in terms of studio-to-consumer listening translation for car stereos, clock radios — iPod ear buds, you name it. They really translate: what I hear in the studio is what the outside world hears, in my experience. When I go to the car and check a mix, it’s what I hear in the studio. That’s the end-all, that’s what matters,” stated Juliano.

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TV Audio Engineer Chris Prinzivalli

Engineer Chris Prinzivalli on the Focal Twin6 BE Monitors for TV Production

Chris Prinzivalli

Engineer Chris Prinzivalli with Focal Twin 6Engineer Chris Prinzivalli on the Focal Twin6 BE Monitors for TV Production

These days engineer Chris Prinzivalli and his Focal Twin6 BE monitors go everywhere together. His specialty is live music recording and mixing, and he is working on a lot of music for TV. He has mixed live music projects for TV with artists such as Cyndi Lauper, Julio Iglesias, Huey Lewis & The News and many others. When at Kaufman Astoria Studios to mix the Sesame Street Workshop music, he brings in his Twin6 monitors.  Prinzivalli honed his live mixing and recording techniques from behind the desk at countless shows, festivals and television specials. Along the way he has worked with Record Plant Remote, MTV Networks and ABC Television. These days, when he gets the call to record and mix in a TV studio or remote truck, he brings along his Focal Twin6 monitors. A sound he can trust.

A friend of Prinzivalli’s and distributor for Focal Professional who always offers him new gear to try out, told him about the Twin6 BE monitors, he got to try them and liked what he heard. Remembering the first time he tried the monitors Prinzavali said, “My friend always calls me up and says ‘Hey I just got a new piece of gear, I want you to check it out, I want your opinion.’ Focal had released a new series of monitor, so I grabbed the Twin6s from him and they were absolutely fabulous. They sound great and they look great.”

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Engineer Ian Boxill

Engineer Ian Boxill Mixes an Urban Sound with FOCAL Monitors

Focal Solo 6 Be Monitors are Key to Mixing in his Personal Studio

Ian Boxill

Engineer Ian Boxill with Focal Solo 6

Engineer Ian Boxill recently installed Focal Solo 6 Be monitors in his personal studio, and has begun mixing a top-secret project. With the past three Prince albums behind him, and a 2008 Grammy for “Best Male Vocal” on the Prince penned song Future Baby Mama, Boxill is primed for new and great things. Deciding to upgrade his studio with new monitors, Boxill chose Focal and is loving the sound, “Focal speakers have the rare quality of being very musical sounding, while maintaining clarity and detail. Not a very easy feat to pull off. While listening to my favorite recordings on a pair of Focal Solo 6 Be’s I heard instruments and parts that I had not heard before. Wow. Well done Focal, well done.”

Known for his deft touch with powerful R&B and Urban vocal artists such as Tupac Shakur, Janet Jackson, P. Diddy, Aaron Neville, K Ci, Jo Jo, Christina Milian, and Prince, among many others, over the past 15 years Boxill has divided his time between working in his personal studio and studios that artists choose. Now with his own personal studio upgraded with Focal monitors he’s embarked on a mixing project that will be revealed in early 2009.

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Producer Nathan Chapman

Producer Nathan Chapman Chooses Focal Monitors for Taylor Swift’s Chart-Topping Release

Focal Solo6 Be powered monitors used in producers’ studio for all his production work: “I love these monitors,” says Chapman, “the Solo6’s are perfection.”

Chapman-_Nathan

Producer Chapman Nathan

Nashville Producer Nathan Chapman is on a roll with his country music productions, scoring a hit again with Taylor Swift’s latest album “Speak Now” – and continuing to use his Focal Solo6 Be powered monitors in the studio, “I used the Solo6’s on the Taylor Swift album, I love these monitors,” Chapman says. The Grammy-winning producer’s credits also include Jewel, The Band Perry, and Laura Bell Bundy, among many others.

“The first time I heard the Focal Solo6 studio monitors I was beyond impressed,” explains Chapman. “They were true and accurate and at the same time didn’t sound ‘boring’ like other monitors I have used. Hearing what is actually going on inside a mix or recording session is just as important as any other part of making a record. Focal monitors are my top choice. For my small home studio, the Solo6’s are perfection. And FYI, I didn’t get them for free or at a discount. I bought these monitors because I loved them.”

Chapman co-produced Swift’s latest album “Speak Now” which sold over 1 million copies in its first week of release, the album garnered the number 1 slot on the Billboard 200 album charts as of December 22, 2010. Chapman also produced Taylor Swift’s “Fearless” album, which became the biggest selling album of 2009 with over 3 million copies sold. Earlier this year the country music industry declared Swift’s album “Fearless” the most awarded album in the history of country music, as the only album to win the Grammy for ‘Album of The Year’ and ‘Country Album of the Year’ from the Grammys, the Country Music Association, the Academy of Country Music and the American Music Awards.

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Engineer Ken “Pooch” Van Druten

Engineer Ken “Pooch” Van Druten Mixes ‘Slash’ on Focal Monitors

Live & Studio Mix Engineer Moves Up to Focal Solo6 for Slash’s “Live From The Roxy” Online release

KenVanDruten

Engineer Ken "Pooch" Van Druten with Focal Solo 6

As a mix Engineer, Ken “Pooch” Van Druten divides his time between mixing front of house for top live rock acts and mixing releases in the studio, one of his latest studio mixing projects is the “Live From The Roxy” Slash online release. Van Druten is a three-time Grammy nominee, his latest as mixer for the 2010 ‘Best Hard Rock Performance’ nomination for “Linkin Park: Live at Milton Keynes.” No stranger to live rock, from Kiss, Limp Bizkit, System of a Down and Kid Rock to Slash, Van Druten has worked with almost every top hard rock act touring in the past 20 years, mixing FOH or monitors, or as the production/tour manager.

On the live Slash mixes, Van Druten made a switch to Focal Solo6 monitors. “I actually own several types of high-end speakers. All of them are now my second choice,” states Van Druten. “I still use them for reference, but I mix on the Focal Solo6s now.” He mixed stereo (as well as a 5.1 surround version) for the Slash online release, “This was the first time I used Solo6s for a project. It came out spectacularly. I was really impressed by these speakers.”

“What I found most interesting with the Solo6s was the amount of time I could spend mixing without getting fatigued,” adds Van Druten. “I can usually only spend several hours before I have to take a long break. But do to the excellent reference of the Solo6s I was able to listen at lower volumes and not get fatigued, whilst the mix reference remained correct. Thus allowing for many more hours of work and expediting the whole process.”

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