Mastering Engineer Michael Romanowski Nominated for Three Grammys
Michael Romanowski of Coast Mastering, Berkeley, CA, is nominated for three Grammy Awards including Best Engineered Album, Classical, and Best Immersive Album
[At Press Time: Note that Michael Romanowski has won all three Grammy Awards in the story below]
Mastering engineer Michael Romanowski of Coast Mastering in Berkeley, CA, is nominated for three Grammy® Awards for Best Engineered Album, Classical: Chanticleer “Chanticleer Sings Christmas” (Warner Classics); and two Best Immersive Album nominations, Alicia Keys “Alicia” (RCA) for the 64th Grammys; and US Army Field Band “Soundtrack of the American Soldier” (Navona Records) for the 63rd Grammys. Both 63rd and 64th immersive awards are being given this year. The 64th Grammy Awards will be presented on CBS, on April 3rd.
Read More »Musicians Rely on CEntrance to Live Stream During Quarantine
From LA to Dubai, artists around the world use MixerFace to reach their fans
As the music world stopped touring, musicians started streaming, and CEntrance, makers of the portable audio interface called MixerFace, found itself helping artists all over the globe to stream online. A great match for major online streaming platforms, such as Instagram, Facebook, and YouTube, MixerFace upgrades the sound quality of smartphones and tablets based on iOS and Android. Using either built-in XY microphones or full-on home studio setups, MixerFace connects artists to their fans, with stunning audio quality.
When Quincy Jones called guitarist Jake Morelli (Ed Sheeran, Bruno Mars, The Roots) for a 3-month R&B gig in Dubai, Morelli (IG – @JMotone) couldn’t have anticipated getting stuck there in the middle of the residency. The club got closed and air traffic disappeared, so Morelli couldn’t return home to his family. Fortunately, he had the MixerFace with him and has been recording, communicating, and live streaming with it every day. “While quarantined in Dubai,” said Morelli, “I worked on several online collaborations—because an artist must create art, even under the most challenging circumstances. I’ve done projects remotely with drummer Daru Jones, eclectic UK artist Ivy Channel, bass pioneer Jamaaladeen Tacuma, and vocalist Rogelio Douglas Jr.” “I really cannot say enough great things about this little device” adds Morelli, “except that my guitar and bass have never sounded better! There is some serious mojo going on here. And if you plug in the CEntrance Pivot Mics, the exquisite detail that is picked up from vocals, or an entire band are simply astounding.”
See YouTube video of one collaboration: https://tinyurl.com/Jake-Morelli
Darrell Thorp Chooses Lauten for Foo Fighters
Seven-time Grammy winning engineer and mixer, Darrell Thorp, used Lauten Audio mics, including its flagship tube mic, Eden, on new Foo Fighters album “Concrete and Gold”
Engineer Darrell Thorp recently recorded the Foo Fighters new album at EastWest Studios in Los Angeles and chose to use loads of Lauten Audio microphones, including the Atlantis, Eden, Clarion, and the new Series Black LA-120, LA-220, and LA-320. The new Foo Fighters album “Concrete and Gold” (Roswell Records/RCA Records) was released on September 15, its first single, “Run,” hit the top 10 on the Rock Airplay Billboard charts in June. “We had a massive setup for recording the band,” says Thorp, “part of the challenge was we had 4 drum kits set up at once, a bass station, vocals, keys with 2 keyboards and pianos, and over 20 guitar amps, some in the live room and some in Iso-booths – I was using a lot of Lauten Audio mics.”
Read More »Daniel Sanint chooses Lauten Audio ‘Eden’ Mic
Chief Engineer at Flux Studios, Daniel Sanint, chose the Lauten Audio Eden LT-386 as the vocal microphone for Ingrid Michaelson’s new single “Miss America”, featuring Sara Bareilles
Engineer Daniel Sanint, recently recorded vocals for Ingrid Michaelson’s new single entitled “Miss America” at Flux Studios in New York City. The song, featuring Sara Bareilles, is on Michaelson’s new EP Alter Egos, released May 12, 2017. Sanint chose his ‘go-to female vocal mic’ – the Lauten Audio Eden – to record both Michaelson and Bareilles for the song.
Read More »Rich Mouser Records & Mixes Hits
Recently mixed Albums make a splash across the industry with Billboard Heatseeker #14 and London Prog Awards, Album of the Year
Rich Mouser is a triple threat. He’s a musician, producer, and engineer with a highly respected and growing list of legendary clients. He has played a pivotal role in helping a broad range of artists and bands realize their musical dreams with recent acknowledgement from fans and the industry in hit songs and top awards for albums. Mouser’s clients include Robert Trujillo (Metallica, Ozzy Osbourne), Chris Cornell, Dream Theater, Weezer; Chris Vrenna (Marilyn Manson, Nine Inch Nails, Tweaker), Joe Holmes (Ozzy Osbourne, David Lee Roth), Stanley Clarke and Tears for Fears. A musical master, Mouser provides every one of his clients with a keen ear, technical savvy, and sonic sensibilities needed to perfect their musical creations.
Read More »Todd Whitelock Captures Grammy Gold with ‘Atlantis’
‘Best Jazz Vocal Album’ Grammy goes to Cecile McLorin Salvant’s “For One to Love”
Engineer Todd Whitelock loves the Lauten Audio ‘Atlantis’ FC-387 microphone for recording vocals, it’s now his “go-to” female vocal mic. At Avatar Studios in New York last year he used the Atlantis to record vocals on the Grammy(r) Award-winning album “For One to Love” by Cecile McLorin Salvant which garnered the prestigious “Best Jazz Vocal Album” for 2016. The album category awards the Grammy to the Artist, Producer, and Engineer. The album was released on Mack Avenue Records. Whitelock has engineered albums for many of today’s most lauded artists including Josh Groban, Idina Menzel, Christian McBride, Brian Blade, Harry Connick Jr., Yo Yo Ma, as well as Chick Corea, Wynton Marsalis, and the Jazz at Lincoln Center Orchestra, to name just a select few.
Read More »Dangerous Music Delivers for Millions on Live TV Where There Is No Second Take
Live TV singing competition relies on detailed monitoring control from Dangerous Music Convert-2 DAC and Monitor ST, Engineer Toni Kern says “It’s great, I love it!”
When the pressures of a live TV show weigh in on the audio mix engineers responsible for adding stunning sound to make the pictures come alive for eager audiences, the right monitoring gear is essential, and it’s why Toni Kern, at The Voice of Germany, chose both the Dangerous Monitor ST monitor controller and recently added the new Dangerous Convert-2 DAC. “The Convert-2 is really easy to use, it sounds really great-and it sounds natural. And it’s definitely much more accurate than the setup we had before which was only analog monitoring. Now we listen to the exact same digital signal that we send to the live broadcast, and we are hearing it through the Convert-2. We feel very confident about what we are sending to the broadcasters because of this, and the mix is better because of it too.” The German show, similar to the popular US version, The Voice, has featured live performances by top artists such as Cold Play, Robin Schulz, Elle King, James Morrison, Ellie Goulding, and Jess Glynne.
Read More »David Kimmell Saved by Dangerous Music
Engineer gets ‘his sound’ and joy of mixing renewed with Dangerous D-Box analog summing and BAX EQ
Mixing bands live, especially through an analog console, can be a great pathway to mixing records. There’s an experience of immediacy in moving the faders and hearing what you expect. In-the-box all-digital mixing has placed some roadblocks in the way of that, but Dangerous Music puts the analog sound and feel back in the mixing equation with their ground breaking summing mixers. One person who got his mixing ‘joy back’ is engineer David Kimmell, who has been mixing audio since 1997, and for many years mixed bands live, among other touring gigs. After several years in his own studio trying to mix ‘in-the-box’ and not enjoying it, feeling that he was “fighting the mix constantly,” Kimmell added the Dangerous D-Box to his rig and everything changed.
Read More »Corrado Rustici Chooses Atlantis
Italian producer Corrado Rustici, together with engineer Michael Rosen, auditioned many top mics for recent sessions at Rosen’s ‘East Bay Recorders’, but chose Lauten Audio’s ‘Atlantis’ FC-387 for Italian pop singer Virginio’s vocals.
Rustici has a body of work that surpasses 70-million in album sales, and although he is most well-known in Italy with his work on music from mega-stars such as Zucchero and Andrea Bocelli, he has made California his home-base for many years and has worked with Bristish and US superstars such as Jeff Beck, Eric Clapton, Stevie Ray Vaughn, John Lee Hooker, and Stewart Copeland, to name a few. Most recently, during his production of new Italian breakout singer and songwriting star Virginio, Rustici booked the East Bay Recorders studio in Oakland and working with owner/engineer Michael Rosen recorded vocals for Virginio’s new album for Universal Music Italy. When evaluating microphones to best bring out Virginio’s pop-star voice, Rosen and Rustici auditioned a series of industry leading microphones as would any seasoned producer or engineer, after many models and trials they realized the best match was the ‘Atlantis’ FC-387— a mic originally designed especially for vocals.
Read More »Engineer Pete Doell Gets Dangerous
Mastering engineer Pate Doell relies on Dangerous gear to work his sonic magic at Universal Mastering Studios, combining the Dangerous MASTER, MQ and MONITOR in his setup
Mastering engineer Pete Doell counts Dangerous Music gear as a key to his success. The Dangerous MONITOR was an eye and ear opener that has made his job easier at Universal Mastering Studios, “I have to admit when I first got the Dangerous Monitor and heard the playback through the DAC, I thought, ‘Oh my god!’ it really made me hear things in a truer way, and I had to do less processing to get the right result,” said Doell. He added the Dangerous MASTER for integrating his outboard gear, and the Dangerous MQ for metering to round out his ‘mastering console’ setup – the centerpiece of his studio. Doell has mastered over 100 albums since joining Universal Mastering Studios, including R.E.M., Marilyn Manson, Toto, Dave Koz, Nat ‘King’ Cole and Sheryl Crow to name only a few. Many top engineers across the studio world revere Dangerous Music for the quality of its D-to-A converters, the company currently offers conversion in the D-BOX, SOURCE, and the recently released CONVERT-2 and CONVERT-8 products.
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